Anti-Flat
Artist Gerry Judah’s paintings are massively and aggressively three-dimensional, piling up, away, and out from the canvas to form linked cities, ruins, and debris-encrusted bridges, like reefs. 
They are perhaps what a tectonic collaboration between Lebbeus Woods and Jackson Pollock might produce: blasted and collapsing landscapes so covered in white it’s as if nuclear winter has set in.
As the short film included below makes clear, Judah embeds entire architectural models in each piece, affixing small constellations of buildings to the canvas before beginning a kind of archaeological onslaught: layering paint on top of paint, raining strata down for days to seal the landscape in place and make it ready for wall-mounting.
And then the paintings go up, sprawling and counter-gravitational, like ruins tattooed on the walls. 
For more work—including pieces executed in red and black—see Judah’s website (including his bio, which suggests larger architectural and theatrical influences).
Source: judah.co.uk
